Contemporary scholarship seeks to find the singular meaning of a particular item or artifact, and then argue in favor of that specific meaning, disregarding all other possible meanings. The ancients seem to have worked in a different manner, comprehending that a particular event may have an infinite number of meanings. Some meanings are inherent to the design while other meanings may be assigned by the artist or by the viewer, by humankind.

By examining the historically significant numbers, and researching the mathematics and geometry of these numbers, against the backdrop of ancient artwork, it is now possible to view the images encoded into the ancient artwork. No longer are we talking about the coincidence of numbers and myths, but rather the prediction of images encoded as of the numbers and geometrical designs.