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- The Integer (20) Calendar Reckoning and Astronomical Tables: Ancient
Mexico. Science in Ancient Artwork Nš1, New Orleans, January 1995,
24pp.
The maya 360c calendarical system may be achieved through addition
and the method of duplatio, without multiplication.
Extract:
Tables of numbers do exist within the maya culture in ancient Mexico.
One has only to examine the Dresden Codex which has been interpreted
as a registration of the movement of Venus and corresponding eclipses.
Although we may never find exact example of the Tables of Numbers
cited herein, the tables reflect the procedure implied in the 18 x
20 and 13 x 20 calendar reckoning. In fact, the 260c and the 360c
calendar reckonings are themselves already the product of related
calculations.
Multiplication is ultimately a form of addition. The Tables of Numbers,
as illustrated in this essay, through their method of calculation,
do not require a multiplication procedure; simple addition is sufficient
to effect the calculations. The counting of time-cycles seems to take
for granted a system of counting; something that is often overlooked.
Furthermore, the ancient concept of time-cycles and the comparison
of whole cycles, becomes more profounds we contemplate the relationship
of one year to that of millions of days. Such a comparison, in itself,
reflects a profound degree of human consciousness, that we still have
difficulty in comprehending ourselves. In other words, if the ancient
peoples represented numerically millions of days, then they consciously
thought in terms of thousands of years.
- The Aztec Calendar: The Pointer; Science in Ancient Artwork
Nš2, New Orleans, January 1995, 15pp.
The pointer of the Aztec Calendar functions as an indicator of the
first and last days of the 260c and 365c day-count calendars.
Extract:
The pointer of the Aztec Calendar and the day-glyph concentric ring
therein are intimately related through design and allow for rapid,
symbolic calculations. Again, the calculations may be made as of the
relationships of the rings, or mentally executed without any reference
to the rings themselves. Significantly, there is an apparent design
and pattern behind the arrangement of space within the Aztec Calendar
based on a counting system for the day-glyphs yet to be comprehended
fully.
- The Aztec Calendar: Patterns Within the Day-Glyp Ring; Science
in Ancient Artwork Nš3, New Orleans, January 1995, 19pp.
The day-glyph ring of the Aztec Calendar reveals a design that reflects
the quincunx sign; a symbol for the planet Venus.
Extract:
In this essay we shall examine the patterns within the arrangement
of the day-glyphs around the pointer of the Aztec Calendar. The patterns
obtain by connecting lines among specific day-glyphs on the concentric
ring, and fall within the realm of the pointer.
The design of the Aztec Calendar appears to obey a scientific set
of rules that fall within its counting system that is interrelated
to artistic expression. The placement of space does not appear to
be random, but reflects deep thought and consideration where possibly
nothing was left to chance. The measurements, the lines, the angles,
their significance, follow rules that are constantly conveying new
information about the time-cycle and their relationships to one another.
- The Aztec Calendar: Spatial Division; Science in Ancient Artwork
Nš4, New Orleans, January 1995, 20pp.
The Aztec Calendar may be divided according to five and seven segments.
Extract:
In this essay we shall examine the perceived divisions of space created
by the concentric circles (or rings) of the Aztec Calendar. The complexity
of the Aztec Calendar's design stands out immediately.
One may view the calendar's component elements from different perspective.
The rings may be, and have been, grouped together in different ways
as the following drawing shows. The rings of the Aztec Calendar have
been ordered in many other ways. In a later essay we shall analyze
some of those distinct possibilities in an attempt to comprehend their
meaning. However, in this essay, we are concerned with the way in
which space is divided in the overall design of the Aztec Calendar.
The precise meaning of the rings and their different elements is unknown.
In order to be able to discern their meaning, we must first examine
the logic of the general design of the Aztec Calendar, and for that
reason we have chosen the theme of spatial division.
- The Aztec Calendar: Spatial Divisions of the 365c, 584c, and 780
Calendar Rounds; Science in Ancient Artwork Nš5, New Orleans, January
1995, 8pp.
The Aztec Calendar's spatial divisions reflect the day-counts.
Extract:
In an earlier essay we have shown the examples of the 260-day count
(260c) and the 360-day count (360c) on the Aztec Calendar. Now, let
us look briefly at other possibilities regarding the 365c, the 584c,
and the 780c.
- Squaring the Circle: With Straightedge and Compas; Science
in Ancient Artwork Nš6, New Orleans, September 1994, (revised november
1995), 11pp.
Different methods for calculating the "squaring of the circle" are
here in illustrated in relation to the pyramids of Giza and Teotihuacan.
Extract:
The author attempts to illustrate distinct possibilities for squaring
the circle with straightedge and compass in terms of the equivalency
of the area and the perimeter/circumference of a square and circle
respectively. The method and procedure employed may have served as
a similar way in which computations of proportion could have been
achieved in the ancient artwork without employing mathematics, while
using a floating system of measurements. Angles and numbers that are
relevant to measurements of different ancient sites are employed in
order to illustrate specific relationships and solutions of computation.
The relation of the 4 x 5 rectangle is also explored in terms of the
squaring of the circle.
- Encuentro entre Teotihuacan y Tenochtitlan; Science in Ancient
Artwork Nš7, New Orleans, 50pp.
A comparative analysis of the Aztec Calendar and the Floorplan of
the pyramids of Teotihuacan, which reveal a common design and distinct
patterns based on astronomical knowledge.
- The 260c Calendar: A Possible Origin; Science in Ancient Artwork
Nš8, New Orleans, February 1995, 18pp.
Extract:
Since I was very young, it has always intrigued me as to why the
ancient peoples of Mexico employed numbers such as 52, 104, 520, 1040,
etc., to identify time-cycles. A possible answer may lie in the mathematical
reasoning that I have attempted to explain in this essay.
It would appear that those numbers reflect significant percentages
of the Great Sun Cycle of 26,000 years, or the Precession of the Equinoxes.
A 52-year cycle, for example, represents 1/500th of a Great Sun Cycle.
However, the reasoning behind this is far more elaborate in nature.
The ancient peoples discerned such a relationship through the orbital
day-counts of Venus and Earth. They appear to have related earth's
365 day-count to a 52-year cycle, and Venus' 584 day-count to a 65-year
cycle. The complete relationship is: 52/365 : 65/584
This relationship produces the 260-count intervals, as may be observed
in the charts presented in this essay. Ultimately, the, the 260-count
acts as a translation and calculation device between the 365-count
and the 584-count. Whole cycles may thereby be obtained between the
day-counts of Venus and Earth.
If this is in fact the mathematical reasoning behind the origin of
the 260 day-count, then it would appear that the ancient peoples of
Mesoamerica:
1) Knew the Precession of the Equinoxes and the Great Sun Cycle of
26,000 years in detail;
2) developed the 260-count calendar as a product of their already
knowing and relating Venus' 584-count and Earth's 365-count orbits;
and,
3) knew the exact orbital relationship and configuration of the solar
system in this respect.
Such findings would maintain that the order and time of the discovery
of their calendars may be reversed. It was not a case of them having
used the 260-count calendar, and then having "corrected" it to the
365-count of Earth, but actually knew already the 365-count from which
they generated the 260c calendar.
Although there are many scientists who do suspect that the ancient
astronomers actually knew more than what has been generally attributed
to them, the mathematical reasoning explained in this essay may demonstrate
that the ancient peoples knew far more, far earlier than what has
been suspected until now.
- The Temple of Quetzalcoatl: A 64/66 Count; Science in Ancient
Artwork Nš9, New Orleans, 24 February 1995, 18pp.
The Temple of Quetzalcoatl (Teotihuacan) is shown possibly to represent
numerical sequences that correspond to the 584 day-count of Venus.
Extract:
This essay presents a theoretical reconstruction of the method of
calculation that may possibly have been employed in the relationship
between Venus cycles (65c) and the full lunar cycles (64c). For this
exercise, we have chosen the quantifiable elements of serpent head
figures (Quetzalcoatl), and those which have been identified as the
rain god (Tlaloc), on the Temple of Quetzalcoatl at the pyramid site
of Teotihuacan, Mexico.
The exact number of figures that originally adorned the temple remains
questionable, due to the fact that only a part of the temple was found
relatively intact on the wall facing west.
For the purposes of this analysis, we shall work with the seven-level
reconstruction.
The exact number of elements on the temple may be incorrectly reconstructed.
Nevertheless, the numerical exercise involves a logic of its own.
Although a specific monument has been chosen for this analysis, one
could actually carry on this discussion around the numerical quantities
themselves, without reference to a particular monument. For the sake
of a visualization of the numbers, we have selected the Temple of
Quetzalcoatl, and distinct day/year/cycle counts. We have selected
the 65c of Venus, alongwith the 64/66c, which appears to pertain to
the Earth's moon. We shall also be making reference at times to the
52c cycle relating to Earth's 365 day-count. We expect to show that
the 64/66c may serve as a repeat pattern of numbers (or cycles) that
relates Venus' cycles to the full lunar cycles.
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